The First Hercule Poirot Movie Is Impossible To Watch Today

The First Hercule Poirot Movie Is Impossible To Watch Today






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Agatha Christie in the file Speaking of how much she tended to hate the cinematographic and television adaptations of her own work. In general, she hated the tendency that filmmakers had to transform her mysteries of murder into fanciful comic pranks. Christie had particularly harsh words for actress Margaret Rutherford, who played a Slapstick version of Miss Marple in three films based in Christie in the 1960s. The author was even excluded (by her friends) to monitor certain adaptations, because they would have certainly aroused months of complaints. This is one of the main reasons Actor David Suchet took on the role of Hercule Poirot so seriously For the famous BBC series “Agatha Christie’s Poirot” from 1989.

Of course, the mysteries of the murder of Christie were so naturally cinematographic, that the filmmakers have been attracted several times during the career of writer for decades. The very first cinematographic adaptation of a story by Agatha Christie was “The Passing of M. Quin” by Leslie H. Hiscott and Julius Hagen of 1928, published only eight years after the publication of the first story of Christie. When writing these lines, there have been more than 50 cinematographic adaptations of stories and pieces

The first film to present the faithful of Christie and the Belgian detective demanding Hercule Poirot was the 1931 film by Hiscott “Alibi”. “Alibi” was the first of this Poirot Mysteries Put Out by the Long-Lived British Company Twickenham Film Studios, As It was Followed by “Black Coffee” that Year, and Rounded Out by “Lord Edgware Dies” In 1934. Trevor As Poirot, and Trevor Claimed (in Mark Aldridge’s Book “Agatha Christie on screen”) that he obtained the coveted role simply because he could make a French accent. Unfortunately, of these three, only the latter survives. The first two were lost in history.

Hercule Poirot’s lost movies

“Alibi” was actually an adaptation of an adaptation of Christie’s work. Yes, this kind of cinematographic self-reflexivity was already performing in 1931. The scenario of H. Fowler Mear’s film was extrapolated from Michael Morton’s popular play in 1928 “Alibi”, which was, in turn, based on the third story of Christie in 1926 “The murder of Roger Ackroyd”, his third story of Poirot. The plot involved a man who was secretly committed to a potential murderer, accused of poisoning his first husband. There is a lot of secret affairs and skeletons in the cupboard, Natch. When Ackroyd is murdered, Poirot is called to investigate. Was it the clearly guilty Ralph Ackyd, or someone unexpected?

Franklin Dyall played the Roger Ackroyd in the cinematographic version of “Alibi”, while Ronald Ward played Ralph. The film also played Mary Jerrold and Elizabeth Allan. Trevor, perhaps surprisingly, does not wear the signature mustache of Poirot, and outlined in tweed coats and a heavy lactor of pomade. Although he played a Belgian character, Trevor always looked like a guy from the islands. These estimates, however, are made only fixed production images and screenshots. The film itself has disappeared forever, his physical film shop has rotted. Maybe an impression exists somewhere, but no one knows where. The same goes for “black coffee”, the follow -up film by Trevor and Hiscott. No one can comment on Trevor’s performance in these films because they no longer exist.

Also, According to the Mark Aldrige websiteEven the scripts are absent from these films, so we cannot even comment on their stories or their dialogues. Aldridge, however, noted that “Lord Edgware dies”, the film by Poirot survivor of 1934, is stody and boring. He even thinks that Trevor looks uncomfortable in the role, and that the film, in his words, lacks atmosphere. This leads Aldridge to believe that “alibi” is probably as zero.

When Trevor returned to the world of Agatha Christie

Trevor, however, was not entirely made with Agatha Christie after 1934. In 1948, Trevor played again Poirot in a radio adaptation noted of “Peril at End House”. Like “alibi”, however, it was adapted from a 1940 play – this one by Arnold Ridley – and was not based directly on the original novel by Christie. The radio piece also played an actor named Ian Fleming, but don’t get too excited. It was another Ian Fleming than the author who created James Bond. The radio game, although relatively obscure, was always better received than the films Trevor / Twickenham. Unfortunately, it also seems to be difficult to find.

It was the last time that Trevor played Poirot, but returned to play a character named Judson in the adaptation of Christie of 1965 “The Alphabet Murders”. This film launched Tony Randel as Poirot and was directed by Frank Tashlin, better known for his work in animation; He was one of the writers and directors behind the Looney Tunes. As we could guess, “The Alphabet Murders” is brilliant, lively and silly, as Agatha Christie hated.

These days, Poirot lives A series of high -level feature films made by and starring Kenneth Branagh. To date, he has adapted “Murder on the Orient Express” (which was excellent), “Death on the Nil” (which was Abyssal) and “A Haunting in Venice” (which was quite good). Branagh said he intended to play Poirot again, although his next planned film will be called “Madeline Hynde’s last disturbance”, and she is not based on a book by Agatha Christie. He will finally come back to Poirot, I’m sure.



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