Andor Showrunner Tony Gilroy Addresses The Series’ Most Controversial Storyline [Exclusive Interview]

I wanted to ask a few questions that my colleagues wanted me to ask you. It is a super cheesy, but given all the work you have done to build this show and how much you put in all aspects of this, I was wondering if it has gone through your mind: have you ever obtained a step back when giving a tie fighterspeed capacities, or to consider why the Empire has never implemented something like that in the future of combatant conceptions?

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No. This is not really my department. It would be, [visual effects supervisor] Mohen Leo and [visual effects producer] Tj [Falls] And Ilm and all these guys have almost done this whole sequence. I bring them to the ship and say: “Oh my god, he strikes forward and it retreats. He does not know how to pilot it.” Then they did everything else. We have seen millions of pre-viviz and criticized it throughout and it is shaped or otherwise, but they designed the ship. They know all the origin of everything that is going on there. So I don’t know. I am not the right person to answer this question.

All right. You were talking about looking at the pre-video. What was it like, for a program which is this vast, which goes to so many different places in the whole galaxy, with the number of different options that people had to present to you how much things could have looked like – how you were not overwhelmed by all the options you had to be there? Is there something that jumped on you as perhaps being a fork at the time of the road or something that might have changed what things look like?

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Listen, it’s like anything, guy. It’s really, really like any type of project. You must literally go to a teaspoon teaspoon. From time to time, you can withdraw and say: “Hey, wait, at the macro level, what am I doing? Are you okay? I’m going to weeds?” You just have to sew by point per point. Luke Hull and I, long before someone else gets involved, Luke and I think: “Oh my God, I need to make Ghorman. Okay, if we are going to make Ghorman, what will be big? What is the big expense? S ***, it can be a convergence of the other part of history.

If you ever lower down, you panic. You must fight your panic all the time by being very specific every day. You really have to have your management skills together. I would say that almost almost every day in the series, I had to use absolutely everything I have ever learned in my life on how to do it, that I write memos or that I make decisions. One of the things is that I am absolutely ready to change my mind. You must be ready to change my mind, but I make decisions very quickly. You really have to make a lot of decisions very quickly. If you are, you have to be ready to … but you have to make decisions quickly. You have to stand with them. You have to share information with people all the time, and you just have to get around step by step. Otherwise, you drown. You are really under the wave.

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In season 2 of “Andor”, we have a look What does television look like in the Star Wars universe. Is there a specific inspiration for an overview of what it looks like, if there is a kind of day-

They had already done so. They had already done so. I know that on “Rogue”, at one point, I offered to run a race, like a playing race. They had a video of these birds, so I know that it exists. We just asked in this regard what it looks like and what would it look like? What does the machine look like? It’s a bit like a minitel, I remember what Minitel looked like. Then it was like: “why born Do they have a “good Coruscant day?” Why wouldn’t they do it? Let’s do that. Let’s have that. “”

It’s fun.