Steven Spielberg’s Game-Changing Sci-Fi Movie Is Finding New Fans On Max

Steven Spielberg is undoubtedly one of the greatest filmmakers of all time, but, being human (to our knowledge), it is fallible. He made a completely ugly film (“Indiana Jones and the Kingdom of the Crystal Skull”), strangely inert (“the BFG”), and must answer to The bizarre backlot debacle that is “hook”.

Advertisement

These failures are rare for a director like Spielberg, who does not have to move forward on a project until it is good and ready. He is known to have turned quickly and confidently, intuitively placing the camera exactly where she must be (on the occasions when he does not make a storyboard, like “and the extraterrestrial” and “the list of schindler”), and the delivery of a finished film which is narratively concise and thematically rich. The only thing better than watching a film by Steven Spielberg for the first time is that it will open in a new and surprising way to subsequent views. There is not a single filmmaker who works today who can Top Spielberg as a visual storyteller (although I am rooted The goat, Brian de PalmaTo be made to make another film).

Advertisement

Whenever a new film by Steven Spielberg is announced, it immediately becomes one of my most anticipated films of any year it is ultimately published. The only exception was the day I learned that he directed an adaptation of the novel by Ernie Cline “Ready Player One”. Aggressive pastiche of nostalgia for generation X video games, the book of Cline was the beard with literary dad. It was a pure overload of sugar from the first page. If you could go through the litany of pop cultural references to the disappointing conclusion (seriously, it reads as “American Psycho” written by a Slob Enhaling of Cheetos which has never radiant in his shirt), you certainly do not think, “gee, I really want the guy who made the` `jaws ” who would explode a year of his life.

Spielberg, however, saw something here, and, seven years after his theatrical release, the Max subscribers eat him.

According to Flixpatrol“Ready Player One” is currently the fourth highest film on Max – which makes sense on a distracted level of vision because you can play this film in the background and see something visually stimulating each time you are looking for your eyes. But is this film good?

Advertisement

“Ready Player One” tells the story of Wade Watts, a jaded child who, while escaping from the Post-Apocalyptic Columbus Morness, Ohio (around 2045) by plugging into a payment of virtual reality games, is in a race in search of a discovery of golden Easter. The book did not have an interesting idea in his mind, but Spielberg, a long-standing player himself (dating from the era of “pong”), locked himself in something subversive concerning the intrinsically empty pursuit of victory in a virtual environment. Spielberg has always been a dreamer, but he made these fancy flights by putting boots on the ground and making them fragmentary with lots of crew members who run and came. Escape is difficult work.

Advertisement

Again, I think “Ready Player One” is mainly digested in random songs by people who have already seen the film. I doubt that they are panoramic for a metaphor and a deeper meaning in this flow. But if you can exceed your aversion to the source material and its light surface, Spielberg’s film is not a warm and nostalgic, nor pro-society. It is a much darker and more cynical film than people think (Although Chris Evangelista from film asks to postpone).